In Greek mythology, Theia (/ˈθiːə/; Ancient Greek: Θεία, romanized: Theía, lit. ‘divine’, also rendered Thea or Thia), also called Euryphaessa (Ancient Greek: Εὐρυφάεσσα) “wide-shining”, is one of the twelve Titans, the children of the earth goddessGaia and the sky godUranus. She is the Greek goddess of sight and vision, and by extension the goddess who endowed gold, silver and gems with their brilliance and intrinsic value.[2] Her brother-consort is Hyperion, a Titan and god of the sun, and together they are the parents of Helios (the Sun), Selene (the Moon), and Eos (the Dawn). She seems to be the same with Aethra, the consort of Hyperion and mother of his children in some accounts.[3] Like her husband, Theia features scarcely in myth, being mostly important for the children she bore, though she appears in some texts and rare traditions.
Rhea or Rheia (/ˈriːə/;[2]Ancient Greek: Ῥέα [r̥é.aː] or Ῥεία [r̥ěː.aː]) is a mother goddess in ancient Greek religion and Greek mythology, the Titaness daughter of the earth goddessGaia and the sky godUranus, himself a son of Gaia. She is the older sister of Cronus, who was also her consort, and the mother of the five eldest Olympian godsHestia, Demeter, Hera, Poseidon and Zeus, and the king of the Underworld, Hades. But Cronus learnt that he was destined to be overthrown by one of his children like his father was before him, so he swallowed all the children Rhea bore as soon as they were born. When Rhea had her sixth and final child, Zeus, she spirited him away and hid him in Crete, giving Cronus a rock to swallow instead, thus saving her youngest son who would go on to challenge his father’s rule and rescue the rest of his siblings.
Cronus was usually depicted with a harpe, scythe or a sickle, which was the instrument he used to castrate and depose Uranus, his father. In Athens, on the twelfth day of the Attic month of Hekatombaion, a festival called Kronia was held in honour of Cronus to celebrate the harvest, suggesting that, as a result of his association with the virtuous Golden Age, Cronus continued to preside as a patron of the harvest. Cronus was also identified in classical antiquity with the Roman deitySaturn.
In Greek mythology, Tartarus (/ˈtɑːrtərəs/; Ancient Greek: Τάρταρος, Tártaros)[1] is the deep abyss that is used as a dungeon of torment and suffering for the wicked and as the prison for the Titans. Tartarus is the place where, according to Plato‘s Gorgias (c. 400 BC), souls are judged after death and where the wicked received divine punishment. Tartarus is also considered to be a primordial force or deity alongside entities such as the Earth, Night, and Time.
In Greek mythology, Tartarus is both a deity and a place in the underworld. In ancient Orphic sources and in the mystery schools, Tartarus is also the unbounded first-existing entity from which the light and the cosmos are born.[citation needed]
c. 1300, “a task, a project” (such as the labors of Hercules); later “exertion of the body; trouble, difficulty, hardship” (late 14c.), from Old French labor “toil, work, exertion, task; tribulation, suffering” (12c., Modern French labeur), from Latin labor “toil, exertion; hardship, pain, fatigue; a work, a product of labor,” a word of uncertain origin. Some sources venture that it could be related to labere “to totter” on the notion of “tottering under a burden,” but de Vaan finds this unconvincing. The native word is work.
In Greek mythology, Crius (/ˈkraɪəs/; Ancient Greek: Κρεῖος[1] or Κριός, Kreios/Krios) was one of the Titans, children of Uranus and Gaia.[2] Like other Titans, Crius lacks much characterization, with no unique domain or mythology of his own, instead apparently serving a purely genealogical function in mythology, to provide parentage for other figures.